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“Viggo is one of the few people I’ve worked with who, I feel, is a true kindred spirit. From the moment we first met - when I was casting The Reflecting Skin in Los Angeles - it was as if we’d known each other all our lives. He understands my work totally. By the time we were doing Darkly Noon I hardly had to give him a word of direction. He knew instinctively what I wanted. Just as well really. Because Viggo - being Viggo - decided that, as he was playing a mute, he wouldn’t speak at all for the duration of making the film.”

Philip Ridley at the Tokyo International Film Festival
From ‘The American Dreams: Two Screenplays by Philip Ridley’
Methuen 1997







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